Cecum places the viewer in a constant vertical ascension through a sequence of maximalist and fantastical dream-like animated events and interstitial spaces. The ascension movement allows for meditation on wonderment, perception and consciousness, as if the viewer is within a perpetual clear elevator, seeing but never being seeing, observing a foreign ever-changing hierarchy of simultaneous occurrences,  gradually exposed to the correlations between the various layers, which remain oblivious to each other, similar to the cinematic knowledge gaps or the web eternal feed. 

Deeply inspired by contemporary dance and structured by musical elements such as frequency, repetition, and rhythm, the work displays an unconventional array in which the narrative and non-events are weighed equally. Through the surrealistic occurrences and abstractions created by the internal choreography of the virtual objects and bodies, Cecum resonates with questions about theatricality and social performativity, while queering the shell-like and substanceless virtual material.